Brutal London

My relationship with architecture in London could be described as an intimate one.

One building in particular defines this relationship: Erno Goldfinger's Balfron Tower in Poplar. My first residency in London was Balfron. The 9th floor. I was romanced by the western terraced views, the London skyline and the aerial perspective of my new neighbourhood.

(Photo: N. Ardaiz)

(Photo: N. Ardaiz)

It's also an abusive relationship.

Commenting on violent crime taking place in Trellick Tower in west London (which he designed and which is a near carbon copy of Balfron), Goldfinger was quoted as saying:

I built skyscrapers for people to live in there and now they messed them up. Disgusting.

Space is built for people, but not always with people in mind (or the greater socio-economic context for that matter).

Le Corbusier, in the same brutalist spirit, remarked that houses are "machines for living", as though like a cocoon or beehive, are linear technical creations that need the all-knowing, top-down mechanic to maintain it. Corb perhaps understood his tenants as non-complex cogs, pigeon holing them into a mindset that Carol Dweck would call 'fixed', assuming that they are incapable of shaping their own space and defining their own past, present and future. This is largely the history of post-war architecture in east London.

I'd like to share a few learnings from my first month of research at AzuKo...

  • "In England, 19,093 evictions were by social landlords, such as housing associations, while 5,919 were by private landlords." (The Guardian, 2016)

  • Gentrification has commonly been referred to as the "rehabilitation of working-class and derelict housing and the consequent transformation of an area into a middle class neighbourhood". (Smith N. and Williams P., 1986)

  • "This week, it was revealed two property developers have been leafleting council properties in Westminster offering families money to sell their homes." (The Daily Mirror, 2014)

  • "It is estimated that if just one in 100 inactive people took adequate exercise it could save the NHS in Scotland as much as £85 million per year." (CABE, 2014)

If you don’t know where you are, you don’t know who you are.
— Wendell Berry
  • In Dr. M. Corcoran's research of six deprived neighbourhoods throughout Europe (including Holloway, London) "what emerged in the biographical narratives gathered from urban dwellers was a sense of ambiguity and indeterminacy in relation to place".

This particular work falls under our A sense of place project. Defining the term poses a real challenge, especially when some researchers (or one in particular) have argued that "income, employment statistics, housing provision, crime statistics, instances of anti-social behaviour, physical and mental health, and educational attainment" are all directly correlated to this 'sense of place'.

If you take however, even a seed of truth from these correlations (which I do) then a sense of place is about tackling externalities. It's about addressing the fundament of the human experience - how we connect to others in a particular space.

(Photo: N. Ardaiz)

(Photo: N. Ardaiz)

I spoke to Jo to hear her views on the concept.... "There isn't an agreed upon definition, and I think that's what's exciting." When discussing her experience of working with one particular at-risk community she commented,  

That group... really wanted to fight, because there would be something lost. But that drive to fight for something was because they really belonged to that place.

This draws parallels to our work in Jogen Babu Maath slum, Bangladesh - "Together, they are trying to build a future for the community".

(Photo: T. Chowdhury)

(Photo: T. Chowdhury)

We're essentially operating in the realm of social capital - the coffers of our relationships. A currency that authors like Robert Putnam (Bowling Alone) have argued has been diminishing for years.

It's an incredible challenge that spans dimensions ranging from memory and meaning to planning and policy, and one that I'm excited and honoured to be a part of.

 

Author: N Ardaiz

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To understand, to acknowledge & to empower.... meet new team member Nathan

Nathan Ardaiz joins AzuKo from the world of social impact. He'll be leading our A sense of place project and bringing his wealth of experience in community engagement to the team. We asked him to share a few thoughts:

  • Tell us about yourself and what makes you tick...

Life for me, more and more, is about connecting with, and serving people. I also find that creating things (playing music, cooking, writing) brings me joy.

I believe that things happen for a reason and so I do my best to appreciate the nuances and 'minutia' of the day, say thank you to people (often via handwritten notes) and do it with a smile. I'm also infatuated with my nephews - the little time I get to spend with them is a blast.

  • What is your design ethos?

It begins with happiness. Studies like the Happy Planet Index have shown that people universally are simply seeking contentment.

(Image: HPI)

(Image: HPI)

Design then, for me, is about meeting needs by reducing anxiety and providing opportunities for people to connect, give and serve, create, find freedom, learn, feel secure, be in beauty, live harmoniously, find redemption, be validated and feel a part of something greater than themselves.

I believe in such things as green space, round tables and public squares - designs that speak to what makes us human.

I believe in listening - to understand, to acknowledge and to empower.

Diversity, non-linearities and the principles of nature are certainly inspirations as well. A tree has taught me more about the conditions necessary for thriving than most classes I've taken.

I believe in a balanced mix of negation (Nassim Nicholas Taleb describes this concept as Via Negativa), versus a dependence on prescription.

I believe in ambiguity (as described by Ben Hamilton-Baille) - that uncertainty is not actually risky. In fact, uncertainty is often more efficient and effective.

I believe in local and small for a book's worth of reasons.

And I believe in second hand wherever possible (and all other principles that are pro-environment, including bikes and vegetarianism).

  • Describe the key milestone in your career so far.

The concept of a career, I feel, is so intimately connected with our personal journey, so my greatest milestone is probably something that reflects my personal development more than anything. It's probably when I turned down a promotion while working at a business school when I was writing my Master's thesis. That was when I decided that I wouldn't work purely for comfort and money and that I would challenge myself to spend this short life working on things that I felt didn't just serve me.

  • What does public interest design mean to you?

With PID there is no clear distinction between the individual and the collective - the collective being comprised of the physical environment and all those in it. It considers the social and cultural experience of those it is intended for and is aware that those who live that experience are perhaps suited to problem solve for that experience.

PID means understanding, openness, humility and respect for people and planet. It is anti-establishment and anti-status quo, while being humanist, and an indicator of a different future.
  • Why did you apply for the position of Research Associate?

I felt like it was a nice blend of things that I do well and things that I've been working toward for several years - research and ethnography, social innovation, community engagement, facilitation and problem solving.

Facilitation

I also appreciate Jo's approach to social change. The bonus is I get to learn more about spatial design and the human-centred methodology. It was the only job I had considered applying for following a year-long fellowship.

  • What are you looking forward to most about working at AzuKo?

Connecting with, and serving people.

Working in Nicaragua
  • Name or describe an article / publication / image that has changed the way you view the world and the way you approach your work.

Power and Love by Adam Kahane - an idea that has more beautifully synthesised the practicality of spirituality than any other book I've read.

Antifragile by Nassim Nicholas Taleb - a brave, comprehensive, practical and philosophical approach to life, work, the economy, design and everything worth writing about.

Influence by Dr. Robert Cialdini - a rare insight into what it actually means to be human.

A People's History of the United States by Howard Zinn - a hero and a firebrand who didn't allow the towers of academia to stifle his need to stand up for the voiceless. Zinn taught me to care.

Anything by Jiddu Krishnamurti - a gift to me at the age of 17. I haven't stopped reading him since, and am never not reminded of where we all stand cosmically.

The Untethered Soul by Michael Singer - the one that put a little twist on Krishnamurti and the one that relit the fire.

A General Theory of Love by Thomas Lewis, Fari Amini and Richard Lannon - a poetic and scientific insight into what defines our ability to love and connect with others.

  • What five words would someone use to describe you?

Kind... hungry (for food and otherwise)... gregarious... intentional... thoughtful.